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How To Merge Two Exposures

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Photo by Steve Berardi
Photo by Steve Berardi
One of the most common problems in landscape photography occurs when photographing a sunrise or sunset: the sky is always super bright and the foreground is always super dark. This causes some trouble for your camera because it can’t handle that dramatic range of brightness.

There’s a few ways to solve this problem, but one solution is to shoot two exposures: one exposed for the sky and one exposed for the foreground. Then, you can merge these exposures later in Photoshop.

Here are some details on how to accomplish this: [Read more…] about How To Merge Two Exposures

There’s No Such Thing As Bad Light

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California Poppy / Photo by Steve Berardi
California Poppy / Photo by Steve Berardi
In photography, there’s always a lot of talk about “good light” and “bad light.” Especially when it comes to specific subjects (like that popular rule that says the only “good light” for photographing landscapes is at sunrise or sunset).

But, as I create and look at more and more images, the more I’ve realized that these “rules” always have exceptions. There’s really no such thing as a type of light that’s always bad for a specific subject.

For example, it’s often said that the best light for photographing wildflowers is under overcast skies (I’ve even said it myself here on PN!). And, for a long time, I would only photograph wildflowers under overcast skies (or with some kind of light diffuser). But, then I started seeing all these great images of wildflowers under bright sunlight. I really liked how the bright sunlight helped “light up” the inside of the flower, so I started looking at wildflowers differently ever since then, and now I have numerous photos of wildflowers under bright sunlight (like the one above). [Read more…] about There’s No Such Thing As Bad Light