For example, I recently had an encounter with a dragonfly known as a Prince Baskettail (Epitheca princeps). We all know photographing dragonflies can be a very daunting and sometimes humbling experience. The Prince Baskettail can be especially frustrating because it seems to be forever on the move and rarely rests for any length of time. Occasionally though, luck comes at surprising times and the most important thing to remember at those times is to take full advantage of it and to always keep trying for the best possible photo while keeping in mind to never pressure your subject to fly off. [Read more…] about Adding An Artistic Element
Simple Adjustments For a Better Background
One thing many of us forget to consider is the background in a photo. We focus (literally and figuratively) on the main subject and feel gratified that we can get the whole subject in the frame and it’s sharp and properly exposed. Let me show you an example of how easy it can be to make a significant difference in your photos. In this case, we’ll be talking about an application related to macro work and dragonfly photography.
When shooting macro we generally strive to get the best depth of field (DOF) we can get. The best and perhaps the easiest way to achieve this is by increasing our f-stop. When photographing a subject like a dragonfly, generally f/11 is a good place to start with f/16 being even better . . . sometimes that is. [Read more…] about Simple Adjustments For a Better Background
A Simple Trick To Eliminate Lens Flare
I recently acquired a Canon 10-22mm f/3.5-4.5 Lens to use with my Canon 80D body for tree photography. The lens is considered a wide zoom, but it doesn’t go so far as to give a fish-eye effect. It does capture a very wide angle of view, however— with its widest angle at 107°. As wonderful as this is for capturing the full width of a large area, it can also come with some tricky conditions to deal with. One of those is glare. Since I’m somewhat new to using this lens, I ran into this issue recently while photographing the crowns of large trees and pointing the camera directly upwards.
Here I am pointing my camera directly up towards the crown of the tree you see directly behind me. I wanted to capture as much of the trunk and crown as I could: [Read more…] about A Simple Trick To Eliminate Lens Flare
The Warmup
What photo would you say is the one you’re least prepared to take? For me, it’s the very first photo on any given day. Have you ever gone out for a day of nature photography, regardless of your subject preference, and find that when you go to shoot that very first photo something is “off?” I’m not referring to an equipment checklist, I’m talking about a preparedness checklist.
Although an equipment checklist is a good idea and you should always make sure you are bringing everything you think you will possibly need on any given day. But here’s what happens to me. And, if it happens to you then read on. When I’m done photographing for the day I usually just download my images and put my batteries on a charger. I might check a few things and rearrange my pack to the order I had but that’s pretty much it. I rarely go and look at anything else as far as where I left my camera settings at.
So, to help with the potential mistake of not being 100% ready the next day, what I’ve begun to do as part of my routine is to go through the motions of taking that first photo as soon as I step out of my vehicle. That’s when you’ll notice you had your ISO set for the last time you were out and it may not be what you want to use right now. Maybe it was near dark and you pushed your ISO to 800 but today is bright and sunny. You might prefer something in the low 100’s. You may have forgotten to re-format your card. Or, perhaps you left your lens on manual focus because you were photographing wildflowers the day before, but today you’re shooting something where you’d want autofocus. Each of us I’m sure will have different circumstances and issues. [Read more…] about The Warmup
Completing Your Vision in Post-Processing
That term “vision”—what does it mean? For me it’s simple. When I get home from a day of shooting, I review all my photos. I intentionally look for the images that stood out when I first saw them through my viewfinder. However, I usually get confusingly disappointed when I realize the camera didn’t capture the scene exactly the way I “saw” it—or maybe the way I thought I saw it? [Read more…] about Completing Your Vision in Post-Processing
What’s Wrong With This Photo?

This is a photo of a Rough-legged Hawk (Buteo lagopus). It breeds in the arctic and migrates southward down into the far southern areas of western Canada and throughout much of the United States where it spends most of the winter. Its journey southward and back again is long and arduous. This particular photo was taken in southern Wisconsin in early March.
Before we get into what’s wrong with this photo, let’s discuss a few good things about it.
At first glance, this is exactly the type of photograph that gets the most attention on forums, listservs and social networks. It might even be a photo that could potentially win a photo contest. Why? Because it captures a dramatic scene that instantly makes the observer feel some kind of emotion. [Read more…] about What’s Wrong With This Photo?