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nature photography tips and tutorials

Macro

Flowers in Black and White

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Photo by Steve BerardiWhen you think about photographing flowers, you probably think about capturing their vibrant colors and how they contrast against the landscape around them. Most things in nature have evolved to blend in with their environment, but flowers have evolved to stand out from the crowd by displaying some of the most wonderful colors found in nature.

So, the thought of creating black and white images of flowers might sound crazy. But, it’s a great way to draw the viewer’s attention to other aspects of the flower. By de-emphasizing color, you move that emphasis to other things.

For example, consider the black and white photo above of a Desert Sunflower and compare it with a few color images of the same type of flower: [Read more…] about Flowers in Black and White

Simple Adjustments For a Better Background

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dragonflyOne thing many of us forget to consider is the background in a photo. We focus (literally and figuratively) on the main subject and feel gratified that we can get the whole subject in the frame and it’s sharp and properly exposed. Let me show you an example of how easy it can be to make a significant difference in your photos. In this case, we’ll be talking about an application related to macro work and dragonfly photography.

When shooting macro we generally strive to get the best depth of field (DOF) we can get. The best and perhaps the easiest way to achieve this is by increasing our f-stop. When photographing a subject like a dragonfly, generally f/11 is a good place to start with f/16 being even better . . . sometimes that is. [Read more…] about Simple Adjustments For a Better Background

Sharpness – Relative vs Absolute

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ManzanitaThe more I photograph nature, the less I’ve been concerned about sharpness. It’s not out of laziness, but from the realization that relative sharpness is much more important than absolute sharpness.

Absolute sharpness is about making your subject as sharp as possible, within the limits of your camera and lens.

On the other hand, relative sharpness is about making your subject as sharp as possible relative to other elements in that image.

This also applies to depth of field, and in this article when I mention sharpness I also mean depth of field/focus.

For example, here’s a photo with a lot of absolute sharpness: [Read more…] about Sharpness – Relative vs Absolute

How To Make Any Lens a Macro Lens

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Yucca photographed with close-up filterClose-up and macro photography is one of the most popular ways to capture the beauty of nature: whether it’s photographing tiny insects to show their amazing detail or just a simple close-up of a plant (like the Yucca leaves above).

When you think of macro photography, you might think you need a special lens, but there’s actually a few options for turning any lens into a macro lens, saving you money (and space in your backpack!).

First, it’s helpful to understand what makes a macro lens a macro lens. Well, it’s super simple: the macro lens is built to focus extremely close to objects. That’s it. A macro lens is usually at least 50mm too, but the most important part is that it focuses close.

The good news is that there’s two simple ways to make ANY lens focus closer:

  1. Extension tubes
  2. Close-up filters

I’ve already talked about extension tubes a lot here on PhotoNaturalist, and they’re excellent options because they don’t affect image quality at all. [Read more…] about How To Make Any Lens a Macro Lens

Pressing The Button

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Pressing the ButtonPressing the shutter button to snap a photo seems like the most simple part of photography. I mean, you just “press the button” — right?

Well, there’s a few things to remember when pressing that button, especially when you’re handholding the camera:

1 — Press the button halfway first

You’ve probably noticed that you can press the shutter button halfway or all the way down. When you first got your camera, pressing it halfway probably initiated autofocus (but, hopefully now you use back-button autofocus).

With back-button AF (and if you’re in manual mode), pressing the button halfway does nothing to camera settings, but physically it’s important. Pressing the button all the way down in one press puts much more physical pressure on the camera than doing it halfway first, stopping for half a second and then going down the rest of the way. Physical pressure is important because with more pressure, you’re shaking the camera more and that increases your chance of getting a blurry photo and can mess up your focus point and/or composition (especially true for close-up images). [Read more…] about Pressing The Button

Composition Basics In Microphotography

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Photo by Huub de Ward
Portrait of small Jewel bug: Magnification 7, f/9, ISO 100 and 1/250 sec.
Microphotography is magical because it takes us into a smaller universe of vibrant colors, exquisite details and extraordinary patterns that can literally take your breath away. I photograph invertebrates so close-up that they are transformed into large subjects. Through my images I aim to highlight the different characteristics of a variety of species – and their individual charm.

Microphotography can be challenging because it involves moving in close and magnifying what is there beyond our normal perception of it. As a consequence, we need to pay a lot of attention to every detail we see in the view finder because it will have a huge impact on the overall look and feel of the image. Where we place the subject in the frame (i.e. composition) is critical; even the smallest movement left-right, up-down, can substantially change its impact. [Read more…] about Composition Basics In Microphotography