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How To Add Contrast To Landscape Photos

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Sunrise in the Mojave / Photo by Steve Berardi
Sunrise in the Mojave / Photo by Steve Berardi
Adding contrast to a landscape photo is one way to make it a more compelling image. When we think of the word “contrast” we usually think about contrasting colors or brightness. But, there’s also another type of contrast that you can capture in your images: subjective contrast.

Here’s a quick look at the different types of contrast and how you can capture them in your images:

Color Contrast

The most common way of adding more contrast to your images is photographing a scene with strong contrasting colors. With landscape photography, this is usually pretty easy to do around the “golden hours” — where you’ll likely have some of your scene in the shade while the rest of the scene is extra saturated with that warm light of sunrise or sunset. [Read more…] about How To Add Contrast To Landscape Photos

Introduction to Insect Macro Photography (Part III) – Composition and Focusing

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Photo by Huub de Waard / Male marmalade hover fly: Magnification 5, f/14, ISO 100 and 1/250 sec
Photo by Huub de Waard / Male marmalade hover fly: Magnification 5, f/14, ISO 100 and 1/250 sec
This is the final part (III) of a guest post by Huub de Waard, an exceptional photographer who specializes in close-up shots of insects. After reading his post, be sure to check out more of his awesome photos at his website. And, if you’re also interested in writing a guest post here on PhotoNaturalist, please contact me, thanks! –Steve

Composition is more difficult for microphotography than for other types of nature photography.

Your subject might be an insect or a spider sitting on a difficult-to-reach place. Add the fact that you need to approach very carefully to not disturb your subject and you have a bit of a tricky situation. There are no golden rules to help you solve this one. Play around with composition until you get something that works.

In microphotography, you want to simplify your image as much as you possibly can. Fill up as much of your frame as possible with the subject. Have your focus as sharp as possible and don’t be afraid to experiment with different angles to find the one with the most aesthetic appeal. Photos at high magnification have a corresponding shallow depth of field, so precise control over the location of focus is critical. This requires not only artistic decisions about what part of the subject should be tack sharp, but also technical decisions about how to make the most of this sharpness. [Read more…] about Introduction to Insect Macro Photography (Part III) – Composition and Focusing

Should You Always Isolate Your Subject?

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Photo by Steve Berardi
Photo by Steve Berardi
One of the things we’re commonly taught about photographing wildlife is to always isolate your subject by making the background completely out of focus (like in the photo on the right).

This helps the viewer immediately focus on the subject, but should that always be your goal?

When you choose not to isolate your subject against it’s background, you can reveal much more about your subject (such as it’s habitat, size, what it might be doing at the moment, etc).

Here are a few examples to help illustrate what I mean: [Read more…] about Should You Always Isolate Your Subject?

Which Photo Do You Like Better?

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Red Rock in Utah / Photos by Steve Berardi
Red Rock in Utah / Photos by Steve Berardi

Which of the two photos above do you like better? Why?

Both photos are very similar, but one was shot at sunrise and one was shot at sunset, so different parts of the red rock were lit up by the sun.

There’s no right or wrong answer here. The reason I’m asking the question is to get you thinking about composition, and specifically help you think about your own unique perspective of the world. [Read more…] about Which Photo Do You Like Better?

The OTHER Reason To Use a Tripod

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tripod_equipment3You hear it all the time: if you want sharp photos, you gotta use a tripod whenever possible.

Well, if that isn’t reason enough for you, here’s another benefit of using a tripod: it forces you to think more carefully about your composition.

When you handhold your camera, there’s a tendency to snap away photos as soon as you spot your subject. Then, after you got a few shots, you’ll just move on.

But, add a tripod to the equation, and all of a sudden you’ll be carefully adjusting those knobs until the camera is exactly where you want it. Sometimes this will take a considerable amount of time, but during this extra time there’s a good chance you’ll notice something new about your subject that will take your composition into a whole new direction. [Read more…] about The OTHER Reason To Use a Tripod

Free eBook From Craft & Vision

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Last week, Craft & Vision (founded by David duChemin) released a free eBook with nine excellent articles on how you can improve your photography.

The articles are written by a variety of professional photographers and cover a wide range of topics. And although some of the articles may not specifically apply to nature photography, I’ve always felt you can learn a lot by exploring other types of photography.

Here’s a list of what you’ll learn in this free ebook:

  • Benefits of shooting in manual mode
  • How to recognize good light
  • How to isolate your subject
  • How to balance your flash with ambient light
  • Tips for working with black and white images
  • How to make sharper images
  • Tips for dealing with “bad light”
  • Tips for streamlining your post-processing

All of the articles are written by some really inspirational photographers, so I think you’ll learn a lot from every page of the ebook. One of my favorite things about the book is that at the end of every article there are links to more ebooks that explore that topic in more depth. [Read more…] about Free eBook From Craft & Vision