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Introduction to Insect Macro Photography (Part III) – Composition and Focusing

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Photo by Huub de Waard / Male marmalade hover fly: Magnification 5, f/14, ISO 100 and 1/250 sec
Photo by Huub de Waard / Male marmalade hover fly: Magnification 5, f/14, ISO 100 and 1/250 sec
This is the final part (III) of a guest post by Huub de Waard, an exceptional photographer who specializes in close-up shots of insects. After reading his post, be sure to check out more of his awesome photos at his website. And, if you’re also interested in writing a guest post here on PhotoNaturalist, please contact me, thanks! –Steve

Composition is more difficult for microphotography than for other types of nature photography.

Your subject might be an insect or a spider sitting on a difficult-to-reach place. Add the fact that you need to approach very carefully to not disturb your subject and you have a bit of a tricky situation. There are no golden rules to help you solve this one. Play around with composition until you get something that works.

In microphotography, you want to simplify your image as much as you possibly can. Fill up as much of your frame as possible with the subject. Have your focus as sharp as possible and don’t be afraid to experiment with different angles to find the one with the most aesthetic appeal. Photos at high magnification have a corresponding shallow depth of field, so precise control over the location of focus is critical. This requires not only artistic decisions about what part of the subject should be tack sharp, but also technical decisions about how to make the most of this sharpness. [Read more…] about Introduction to Insect Macro Photography (Part III) – Composition and Focusing

Introduction to Insect Macro Photography (Part II) – How to Approach Insects

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Photo by Huub de Ward / Portrait of the Common Yellow Dung-fly (Scathophaga stercoraria), sometimes called the golden dung fly: Magnification 9, f/6.4, ISO 100 and 1/250 sec
Photo by Huub de Ward / Portrait of the Common Yellow Dung-fly (Scathophaga stercoraria), sometimes called the golden dung fly: Magnification 9, f/6.4, ISO 100 and 1/250 sec
This is part II of a guest post by Huub de Waard, an exceptional photographer who specializes in close-up shots of insects. After reading his post, be sure to check out more of his awesome photos at his website. And, if you’re also interested in writing a guest post here on PhotoNaturalist, please contact me, thanks! –Steve

Although most insects do not have orifices in their body for picking up sound vibrations, many use parts of their body, such as their wings, antennae, or special hairs, like TV antennae to detect vibrations in the environment or in the air. Any errant movement on your part could cause you to miss a shot, so be sure to tread carefully when approaching your subjects.

Your job is to make yourself appear non-threatening. The first thing you want to do is move very slowly. Look before you move, look at where you place your feet, look at where your equipment is, and most of all plan where you are going to put the front of your lens. Many potentially good shots have been ruined by the front of a lens bumping a branch or leaf where an insect was resting, causing it to flee. [Read more…] about Introduction to Insect Macro Photography (Part II) – How to Approach Insects

Introduction to Insect Macro Photography (Part I)

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Photo by Huub de Waard / Portrait of a little fly: Magnification 8, f/8, ISO 100 and 1/250 sec
Photo by Huub de Waard / Portrait of a little fly: Magnification 8, f/8, ISO 100 and 1/250 sec

This is a guest post by Huub de Waard, an exceptional photographer who specializes in close-up shots of insects. After reading his post, be sure to check out more of his awesome photos at his website. And, if you’re also interested in writing a guest post here on PhotoNaturalist, please contact me, thanks! –Steve

One of the most popular books that I read during my childhood was Eric in the Land of the Insects, written by the Dutch author Godfried Bomans. In this humorous fantasy, nine-year-old Eric enters the landscape painting that hangs on his wall and he discovers a world of man-sized wasps, bees, butterflies and other insects that is stunningly similar to the world of humans. Once photography became a part of my life and I purchased the Canon extreme macro lens MP-E 65 mm f/2.8, which has combined with a 2x teleconverter a maximum magnification of 10:1, my world was populated with grasshoppers, spiders, snails, flies, dragonflies and butterflies—Eric’s world.

Magnification describes the relationship between the actual size of the subject and the size of its image on the sensor of the camera. Photographing a 3 cm (1.18 inch) long blue-tailed damselfly so that its image size is 1 cm (0.39 inch) on the sensor means that the magnification is 1/3 (1:3) life-size. Dividing the size of the subject’s image on the sensor by the actual size determines the magnification. At 1:1 life-size, the size of the subject on the sensor is as big as it is in real life. Macrophotography is restricted to magnifications in the order of 1:10 to 1:1 life-size. Microphotography is the extreme form of macrophotography, dedicated to the photography of small objects from life-size to modest enlargements of up to about 20. [Read more…] about Introduction to Insect Macro Photography (Part I)

Three Quick Tips For Close-Ups

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California Wild Rose / Photo by Steve Berardi
California Wild Rose / Photo by Steve Berardi
Now that spring has arrived here in the Northern Hemisphere, it’s time to start thinking about photographing all those wonderful wildflowers and insects. It’s the perfect season for close-up photography.

So, here are three quick tips to get you started:

#1 – Get down to your subject’s level

Many of the plants and insects that come out in the spring live very low to the ground, so your first reaction may be to photograph them from where you first spot them (standing up and looking down at them). But, many times it’s better to get down to your subject’s level and photograph them from there because it captures a more friendly point of view (almost as if you’re seeing eye-to-eye with your subject). [Read more…] about Three Quick Tips For Close-Ups

How to Win the Battle of Close-up Photography

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Pitcher Sage / Photo by Steve Berardi
Pitcher Sage / Photo by Steve Berardi
In close-up nature photography, there’s a constant battle of trying to find that perfect balance between a sharp subject and an out-of-focus background.

An out-of-focus background is essential to a good close-up photo, because it helps draw attention to your main subject.

But, it’s not always easy to get that nice background. Sometimes the background is just too close, or your subject has a lot of depth (forcing you to try a smaller aperture, which then puts more of the background in focus).

So, how do you deal with this constant battle? Well, here are a few ways: [Read more…] about How to Win the Battle of Close-up Photography

Quick Tip for Identifying Your Unknown Subjects

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Flame Skimmer (Libellula saturata)
Photo by Steve Berardi
One of the most rewarding parts of nature photography is learning how to identify your subjects. When we place a name on something, it somehow makes us feel more connected to it.

When you first meet someone new, the first thing you tell them is your name.

And, so naturally, when we photograph something we haven’t seen before, we immediately want to know what it is.

But, it’s not always easy to identify your subjects. Sure, you probably know all the common birds and insects of your area, but what if you’re hiking down a trail and see this amazing looking butterfly for the first time?

Well, there’s one thing you can do that’ll make it A LOT easier to identify that butterfly later: [Read more…] about Quick Tip for Identifying Your Unknown Subjects