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Adding An Artistic Element

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Photo by Vic Berardi
Photo by Vic Berardi
As nature photographers, many times we feel just getting an acceptable photo of an elusive subject is good enough. However, sometimes a bit of patience, luck and perseverance can bring about an enlightening experience.

For example, I recently had an encounter with a dragonfly known as a Prince Baskettail (Epitheca princeps). We all know photographing dragonflies can be a very daunting and sometimes humbling experience. The Prince Baskettail can be especially frustrating because it seems to be forever on the move and rarely rests for any length of time. Occasionally though, luck comes at surprising times and the most important thing to remember at those times is to take full advantage of it and to always keep trying for the best possible photo while keeping in mind to never pressure your subject to fly off. [Read more…] about Adding An Artistic Element

Simple Adjustments For a Better Background

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dragonflyOne thing many of us forget to consider is the background in a photo. We focus (literally and figuratively) on the main subject and feel gratified that we can get the whole subject in the frame and it’s sharp and properly exposed. Let me show you an example of how easy it can be to make a significant difference in your photos. In this case, we’ll be talking about an application related to macro work and dragonfly photography.

When shooting macro we generally strive to get the best depth of field (DOF) we can get. The best and perhaps the easiest way to achieve this is by increasing our f-stop. When photographing a subject like a dragonfly, generally f/11 is a good place to start with f/16 being even better . . . sometimes that is. [Read more…] about Simple Adjustments For a Better Background

How To Make Any Lens a Macro Lens

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Yucca photographed with close-up filterClose-up and macro photography is one of the most popular ways to capture the beauty of nature: whether it’s photographing tiny insects to show their amazing detail or just a simple close-up of a plant (like the Yucca leaves above).

When you think of macro photography, you might think you need a special lens, but there’s actually a few options for turning any lens into a macro lens, saving you money (and space in your backpack!).

First, it’s helpful to understand what makes a macro lens a macro lens. Well, it’s super simple: the macro lens is built to focus extremely close to objects. That’s it. A macro lens is usually at least 50mm too, but the most important part is that it focuses close.

The good news is that there’s two simple ways to make ANY lens focus closer:

  1. Extension tubes
  2. Close-up filters

I’ve already talked about extension tubes a lot here on PhotoNaturalist, and they’re excellent options because they don’t affect image quality at all. [Read more…] about How To Make Any Lens a Macro Lens

Pressing The Button

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Pressing the ButtonPressing the shutter button to snap a photo seems like the most simple part of photography. I mean, you just “press the button” — right?

Well, there’s a few things to remember when pressing that button, especially when you’re handholding the camera:

1 — Press the button halfway first

You’ve probably noticed that you can press the shutter button halfway or all the way down. When you first got your camera, pressing it halfway probably initiated autofocus (but, hopefully now you use back-button autofocus).

With back-button AF (and if you’re in manual mode), pressing the button halfway does nothing to camera settings, but physically it’s important. Pressing the button all the way down in one press puts much more physical pressure on the camera than doing it halfway first, stopping for half a second and then going down the rest of the way. Physical pressure is important because with more pressure, you’re shaking the camera more and that increases your chance of getting a blurry photo and can mess up your focus point and/or composition (especially true for close-up images). [Read more…] about Pressing The Button

Composition Basics In Microphotography

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Photo by Huub de Ward
Portrait of small Jewel bug: Magnification 7, f/9, ISO 100 and 1/250 sec.
Microphotography is magical because it takes us into a smaller universe of vibrant colors, exquisite details and extraordinary patterns that can literally take your breath away. I photograph invertebrates so close-up that they are transformed into large subjects. Through my images I aim to highlight the different characteristics of a variety of species – and their individual charm.

Microphotography can be challenging because it involves moving in close and magnifying what is there beyond our normal perception of it. As a consequence, we need to pay a lot of attention to every detail we see in the view finder because it will have a huge impact on the overall look and feel of the image. Where we place the subject in the frame (i.e. composition) is critical; even the smallest movement left-right, up-down, can substantially change its impact. [Read more…] about Composition Basics In Microphotography

Introduction to Insect Macro Photography (Part III) – Composition and Focusing

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Photo by Huub de Waard / Male marmalade hover fly: Magnification 5, f/14, ISO 100 and 1/250 sec
Photo by Huub de Waard / Male marmalade hover fly: Magnification 5, f/14, ISO 100 and 1/250 sec
This is the final part (III) of a guest post by Huub de Waard, an exceptional photographer who specializes in close-up shots of insects. After reading his post, be sure to check out more of his awesome photos at his website. And, if you’re also interested in writing a guest post here on PhotoNaturalist, please contact me, thanks! –Steve

Composition is more difficult for microphotography than for other types of nature photography.

Your subject might be an insect or a spider sitting on a difficult-to-reach place. Add the fact that you need to approach very carefully to not disturb your subject and you have a bit of a tricky situation. There are no golden rules to help you solve this one. Play around with composition until you get something that works.

In microphotography, you want to simplify your image as much as you possibly can. Fill up as much of your frame as possible with the subject. Have your focus as sharp as possible and don’t be afraid to experiment with different angles to find the one with the most aesthetic appeal. Photos at high magnification have a corresponding shallow depth of field, so precise control over the location of focus is critical. This requires not only artistic decisions about what part of the subject should be tack sharp, but also technical decisions about how to make the most of this sharpness. [Read more…] about Introduction to Insect Macro Photography (Part III) – Composition and Focusing