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Macro

Simple Adjustments For a Better Background

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dragonflyOne thing many of us forget to consider is the background in a photo. We focus (literally and figuratively) on the main subject and feel gratified that we can get the whole subject in the frame and it’s sharp and properly exposed. Let me show you an example of how easy it can be to make a significant difference in your photos. In this case, we’ll be talking about an application related to macro work and dragonfly photography.

When shooting macro we generally strive to get the best depth of field (DOF) we can get. The best and perhaps the easiest way to achieve this is by increasing our f-stop. When photographing a subject like a dragonfly, generally f/11 is a good place to start with f/16 being even better . . . sometimes that is. [Read more…] about Simple Adjustments For a Better Background

How To Make Any Lens a Macro Lens

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Yucca photographed with close-up filterClose-up and macro photography is one of the most popular ways to capture the beauty of nature: whether it’s photographing tiny insects to show their amazing detail or just a simple close-up of a plant (like the Yucca leaves above).

When you think of macro photography, you might think you need a special lens, but there’s actually a few options for turning any lens into a macro lens, saving you money (and space in your backpack!).

First, it’s helpful to understand what makes a macro lens a macro lens. Well, it’s super simple: the macro lens is built to focus extremely close to objects. That’s it. A macro lens is usually at least 50mm too, but the most important part is that it focuses close.

The good news is that there’s two simple ways to make ANY lens focus closer:

  1. Extension tubes
  2. Close-up filters

I’ve already talked about extension tubes a lot here on PhotoNaturalist, and they’re excellent options because they don’t affect image quality at all. [Read more…] about How To Make Any Lens a Macro Lens

Composition Basics In Microphotography

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Photo by Huub de Ward
Portrait of small Jewel bug: Magnification 7, f/9, ISO 100 and 1/250 sec.
Microphotography is magical because it takes us into a smaller universe of vibrant colors, exquisite details and extraordinary patterns that can literally take your breath away. I photograph invertebrates so close-up that they are transformed into large subjects. Through my images I aim to highlight the different characteristics of a variety of species – and their individual charm.

Microphotography can be challenging because it involves moving in close and magnifying what is there beyond our normal perception of it. As a consequence, we need to pay a lot of attention to every detail we see in the view finder because it will have a huge impact on the overall look and feel of the image. Where we place the subject in the frame (i.e. composition) is critical; even the smallest movement left-right, up-down, can substantially change its impact. [Read more…] about Composition Basics In Microphotography

Introduction to Insect Macro Photography (Part III) – Composition and Focusing

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Photo by Huub de Waard / Male marmalade hover fly: Magnification 5, f/14, ISO 100 and 1/250 sec
Photo by Huub de Waard / Male marmalade hover fly: Magnification 5, f/14, ISO 100 and 1/250 sec
This is the final part (III) of a guest post by Huub de Waard, an exceptional photographer who specializes in close-up shots of insects. After reading his post, be sure to check out more of his awesome photos at his website. And, if you’re also interested in writing a guest post here on PhotoNaturalist, please contact me, thanks! –Steve

Composition is more difficult for microphotography than for other types of nature photography.

Your subject might be an insect or a spider sitting on a difficult-to-reach place. Add the fact that you need to approach very carefully to not disturb your subject and you have a bit of a tricky situation. There are no golden rules to help you solve this one. Play around with composition until you get something that works.

In microphotography, you want to simplify your image as much as you possibly can. Fill up as much of your frame as possible with the subject. Have your focus as sharp as possible and don’t be afraid to experiment with different angles to find the one with the most aesthetic appeal. Photos at high magnification have a corresponding shallow depth of field, so precise control over the location of focus is critical. This requires not only artistic decisions about what part of the subject should be tack sharp, but also technical decisions about how to make the most of this sharpness. [Read more…] about Introduction to Insect Macro Photography (Part III) – Composition and Focusing

Introduction to Insect Macro Photography (Part II) – How to Approach Insects

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Photo by Huub de Ward / Portrait of the Common Yellow Dung-fly (Scathophaga stercoraria), sometimes called the golden dung fly: Magnification 9, f/6.4, ISO 100 and 1/250 sec
Photo by Huub de Ward / Portrait of the Common Yellow Dung-fly (Scathophaga stercoraria), sometimes called the golden dung fly: Magnification 9, f/6.4, ISO 100 and 1/250 sec
This is part II of a guest post by Huub de Waard, an exceptional photographer who specializes in close-up shots of insects. After reading his post, be sure to check out more of his awesome photos at his website. And, if you’re also interested in writing a guest post here on PhotoNaturalist, please contact me, thanks! –Steve

Although most insects do not have orifices in their body for picking up sound vibrations, many use parts of their body, such as their wings, antennae, or special hairs, like TV antennae to detect vibrations in the environment or in the air. Any errant movement on your part could cause you to miss a shot, so be sure to tread carefully when approaching your subjects.

Your job is to make yourself appear non-threatening. The first thing you want to do is move very slowly. Look before you move, look at where you place your feet, look at where your equipment is, and most of all plan where you are going to put the front of your lens. Many potentially good shots have been ruined by the front of a lens bumping a branch or leaf where an insect was resting, causing it to flee. [Read more…] about Introduction to Insect Macro Photography (Part II) – How to Approach Insects

Introduction to Insect Macro Photography (Part I)

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Photo by Huub de Waard / Portrait of a little fly: Magnification 8, f/8, ISO 100 and 1/250 sec
Photo by Huub de Waard / Portrait of a little fly: Magnification 8, f/8, ISO 100 and 1/250 sec

This is a guest post by Huub de Waard, an exceptional photographer who specializes in close-up shots of insects. After reading his post, be sure to check out more of his awesome photos at his website. And, if you’re also interested in writing a guest post here on PhotoNaturalist, please contact me, thanks! –Steve

One of the most popular books that I read during my childhood was Eric in the Land of the Insects, written by the Dutch author Godfried Bomans. In this humorous fantasy, nine-year-old Eric enters the landscape painting that hangs on his wall and he discovers a world of man-sized wasps, bees, butterflies and other insects that is stunningly similar to the world of humans. Once photography became a part of my life and I purchased the Canon extreme macro lens MP-E 65 mm f/2.8, which has combined with a 2x teleconverter a maximum magnification of 10:1, my world was populated with grasshoppers, spiders, snails, flies, dragonflies and butterflies—Eric’s world.

Magnification describes the relationship between the actual size of the subject and the size of its image on the sensor of the camera. Photographing a 3 cm (1.18 inch) long blue-tailed damselfly so that its image size is 1 cm (0.39 inch) on the sensor means that the magnification is 1/3 (1:3) life-size. Dividing the size of the subject’s image on the sensor by the actual size determines the magnification. At 1:1 life-size, the size of the subject on the sensor is as big as it is in real life. Macrophotography is restricted to magnifications in the order of 1:10 to 1:1 life-size. Microphotography is the extreme form of macrophotography, dedicated to the photography of small objects from life-size to modest enlargements of up to about 20. [Read more…] about Introduction to Insect Macro Photography (Part I)